Saskatoon, Saskatchewan: Fifth House Publishers, 1988.Īlcott, Louisa May. How the Mouse Got Brown Teeth: A Cree Story for Children. Minneapolis: University of Minnesota Press, 1997.Īhenakew, Freda. Glendale, CA: DreamWorks Animation, 2001.Īdorno, Theodor. London: Rex Collings, 1972.Īdamson, Andrew, and Vicky Jenson, directors. “Multicultural Representation in Children’s Books.” 1981. “Medieval Children’s Literature: Its Possibility and Actuality.” Children’s Literature 26 (1998): 1-24.Īdams, Karen. “The First Children’s Literature? The Case for Sumer.” Children’s Literature 14 (1986): 1-30.Īdams, Gillian. Boston: Pearson Education, 2003.Īdams, Gillian. A Magical Encounter: Latino Children’s Literature in the Classroom, 2d ed. “Writing the Book on Intolerance.” Toronto Star. “Living in a Material World.” Griffith Review (Autumn 2005b): 199-209.Ībdel-Fattah, Randa. Does My Head Look Big in This? Sydney: Pan Macmillan, 2005a.Ībdel-Fattah, Randa. “Trans/Forming Girlhood: Transgenderism, the Tomboy Formula, and Gender Identity Disorder in Sharon Dennis Wyeth’s Tomboy Trouble.” The Lion and the Unicorn 32 (2008b): 40-60.Ībdel-Fattah, Randa. Philadelphia: Temple University Press, 2008a.Ībate, Michelle Ann. Tomboys: A Literary and Cultural History. Nonsense, Michael Heyman and Kevin ShortsleeveĪbate, Michelle Ann. Intermedial, Ute Dettmar and Anna Stemmann Indigenous, Niigaanwewidam James Sinclair Empire, Stephen Slemon and Jo-Ann Wallaceĭiaspora, Michelle Martin and B.
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Tiggy-Winkle, The Tale of Tom Kitten, and The Tale of Squirrel Nutkin, among others. Now firmly established as a popular writer and illustrator, Potter began writing full time and went on to produce such endearing stories as The Tale of The Flopsy Bunnies, The Tale of Benjamin Bunny, The Tale of Mrs. The book was was so well-received upon publication in 1902, that within just a few weeks she requested a second impression. Beatrix Potter wrote and illustrated thirty books throughout the course of her lifetime, the best-known being her charming twenty-three children's tales featuring animals, including The Tale of Peter Rabbit which she self-published in her thirties after multiple publisher's rejections. Front hinge reinforced, loss to the crown and foot of the spine. Tiggy-Winkle was published only one month prior to Potter's inscription in September 1905, this is the earliest traceable presentation copy inscribed by Potter. Presentation copy, warmly inscribed by the author on the front pictorial endpaper in the year of publication, "For Theresa Thorp with love from Beatrix Potter Oct 15th 05." The Tale of Mrs. Octavo, original boards with embossed titles and pictorial cover label, pictorial endpapers, illustrated with 26 color plates by the author. The earliest known first edition, presentation copy of Potter's popular children's story. She was the show and we were her audience. Her face was tight – with pain surely, but maybe also with anger or impatience at the act of dying. In those last days, my mother was gaunt and very much reduced, a meager mass of contours beneath the sheet of the rented hospital bed squeezed into the book-lined alcove off her living room. Maybe give insight into what someone – your mother, for instance – really felt about you, and you about her. A photo could be documentation useful to understanding something about life and death, I reasoned. I’m not so crass as to trespass like that.Īnd yet, the thought flitted around me like an unswattable fly. What dying person would say yes to such a request? I never dared take one while she slept. In the days before my mother died, I never asked to take her photo. The book follows the many members of the knitting club through their hectic and highly relatable day-to-day lives, with a particular focus on Georgia and her relationship with Dakota. Georgia runs a successful yarn store on the Upper West Side of Manhattan she and Dakota begin the Friday Night Knitting Club both to bring people into the shop and to serve as a kind of support group and place to unwind after a long week in the city. The book follows main character Georgia Walker and her biracial daughter Dakota. Kate Jacobs’a realistic fiction, The Friday Night Knitting Club, is the first novel in a series that follows the main characters as their lives – and their knitting projects – progress. The film challenges the idea that children are - as the title suggests - innocent and fundamentally good. On its surface, The Innocents appears to be a simple story of good versus evil: Anna/Aisha good, Ben bad. Anna ultimately triumphs with Ida's help, killing Ben and putting an end to his violent rampage. There, she finds Anna and Ben engaged in a mental battle. While left home alone to babysit Anna, who has reverted to her nonspeaking ways after Aisha's death, Ida -seemingly displaying some supernatural powers of her own - breaks out of her cast and chases Anna after she flees the apartment to confront Ben. After a botched attempt to kill Ben by pushing him from an overpass into a busy highway, Ida returns from the hospital with a broken leg. With Aisha dead, it doesn't take long for Ida to realize that Ben means to kill her and her sister too. But Facebook wouldn’t be what it is today - both good and bad - without the partnership between Sandberg and Mark Zuckerberg. Sandberg is not the founder of Facebook, of course. Several of America’s superstar tech companies, including Apple, Amazon, Google and Oracle, have lived through relatively recent transitions in which iconic founders have handed over power to hired hands. And while her 2013 book “ Lean In” kicked off important conversations, some of its ideas now feel outdated.Īs my colleagues wrote, “Sandberg is ending her tenure at Meta far from the reputational pinnacle she reached last decade.” Her writing and advocacy about women in the workplace and grief gave Sandberg influence on topics that few other American executives touched.īut Sandberg was also partly responsible for Facebook’s failures during crucial moments, notably when the company initially denied and deflected blame for Russia-backed trolls that were abusing the site to inflame divisions among Americans ahead of the 2016 U.S. She helped build the company formerly called Facebook into one of the world’s most influential and wealthy companies. Sandberg, who said on Wednesday that she was quitting Meta after 14 years as the company’s second in command, leaves behind a complicated professional and personal legacy. It’s not clear how history will judge Sheryl Sandberg. Now, this is the part that has always fascinated me about us as a population: This kind of farmer is doing all they can to make their factory quota for the company, of grain, or meat, or what have you, despite their soil, climate, water, budget, or talent. On the other end of the spectrum is full-speed-ahead robo-farming, in which the farmer is following the instructions of the corporation to produce not food but commodities in such a way that the corporation sits poised to make the maximum financial profit. It’s tough as hell, and in many cases impossible, to farm this way and earn enough profit to keep your bills paid and your family fed, but these farmers do exist. Variety is one of the keys to this technique, eschewing the corporate monocultures for a revolving set of plants and animals, again, to mimic what was already happening on the land before we showed up with our earth-shaving machinery. They observe how efficacious or not their efforts are proving, and they adapt accordingly. On one end of the spectrum we have farmers like James, interested in producing the finest foodstuffs that they can, given the soil, the climate, the water, the budget, and their talent. “propose that we consider our farmers on a spectrum, let’s say, of agrarianism. She has received many civic awards, honours and accolades in Australia, including two honorary doctorates. Mem Fox was an Associate Professor in Literacy Studies at Flinders University in Adelaide, Australia, where she taught teachers for twenty four years until her early retirement in 1996. Mem has written thirty picture books for children and five non-fiction books for adults, including the best-selling Reading Magic, aimed at parents of very young children. Time for Bed is on Oprah’s list of the twenty best children’s books of all time. And in the USA Time for Bed and Wilfrid Gordon McDonald Partridge have each sold over a million copies. Her first book, Possum Magic, is the best selling children’s book ever in Australia, with sales of over three million. Mem Fox is Australia’s most highly regarded picture-book author. Mem Fox was born in Australia, grew up in Africa, studied drama in England, and returned to Adelaide, Australia in 1970, where she has lived with her husband, Malcolm, and daughter Chloë, happily ever after. Max believes he can keep Jessi safe from danger, but can he shelter her from his own dark secrets, the media’s unforgiving spotlight-and a mutual desire that’s harder to resist each day… Yet while Max does his best to keep Jessi at arm’s length, the Tucker family persuades him to accept her offer. Max has been pining for Jessi for years and would do anything to protect her, but a professional cage fighter with too many skeletons in his closet has no business being with one of America’s sweethearts. But if her scheme works, will she be forced to hide her true romantic feelings for the sake of her independence? Or will she finally steal the heart of her dream man?. To get the freedom she yearns for, Jessi hatches a plan to recruit Max Grayson, Tuck’s sexy brawler best friend, to play the role of her new boyfriend. The threat of a dangerous stalker has gotten the men in her life-including her football star cousin, Tuck Tucker-monitoring her every move. In order to protect her, they’ll both have to let their guards down…Ĭountry music’s It Girl Jessi Tucker is fed up with her family’s stifling security measures. Like The Walking Dead, The Dog Stars is a post-apocalyptic story, although one without zombies. So what, you’re asking, does any of that have to do with The Dog Stars? And honestly, that’s the last thing I need in my life. Meanwhile, I realized that The Walking Dead was intended to be unending, which meant that it would just be a constant succession of horrors, all constantly trying to outdo the last, leaving the viewer in an arms race of misery and horror. But the thing about horror novels and films is that they’re finite they tell a story, and then they end. I’ve seen some twisted films, met some insane villains. The reason, though, is simple: I realized early on that, as was evidenced in both Kirkman’s source material and the TV series, the series was little more than “misery porn,” devoted to breaking its characters and rubbing our faces in the worst of humanity. (I know this seems like a tangent, but bear with me.) And with my love of horror, people always get a bit surprised when I told them that I quit The Walking Dead about two seasons in, and never regretted it for a moment. Post-apocalypse stories have come in and out of fashion over the years, but it’s hard to think of a more popular one that’s gained as much traction as The Walking Dead. |